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Much of Cash's music, especially that of his later career, echoed themes of
sorrow, moral tribulation, and redemption. His signature songs include "I
Walk the Line", "Folsom
Prison Blues", "Ring
of Fire", "That Old Wheel" (a duet with
Hank Williams Jr.), "Cocaine
Blues", and "Man
in Black". He also recorded several humorous songs, such as "One
Piece at a Time", "The
One on the Right Is on the Left", "Dirty Old Egg-Sucking Dog" a duet with
June Carter, "Jackson,"
and "A
Boy Named Sue"; rock-and-roll numbers such as "Get
Rhythm"; and various railroad songs, such as "Rock
Island Line" and "Orange
Blossom Special".
He sold over 90 million albums in his nearly fifty-year career and came to
occupy a "commanding position in music history".[1]
Biography
Heritage
Cash was completely of
Scottish heritage, but he learned this only upon researching his ancestry.
After a chance meeting with former
Falkland laird,
Major Michael Crichton-Stuart, he traced the Cash family tree to eleventh
century Fife,
Scotland.[2][3]
He had believed in his younger days that he was mainly
Irish and partially
Native American (he had been told he was one-quarter
Cherokee).
Even after learning he had no Native American ancestry, Cash's empathy and
compassion for Native Americans was unabated. These feelings were expressed in
several of his songs, including Apache Tears and
The Ballad of Ira Hayes, and on his album,
Bitter Tears.
Early life
Johnny Cash was born J.R. Cash in
Kingsland, Arkansas, to Ray and Carrie Cash, and raised in
Dyess, Arkansas.
Cash was reportedly given the name "J.R." because his parents could not agree
on a name, only on initials. When he enlisted in the
United States Air Force, the military would not accept initials as his name,
so he adopted John R. Cash as his legal name. In 1955, when signing with Sun
Records, he took Johnny Cash as his stage name. His friends and in-laws
generally called him John, while his blood relatives usually continued to call
him J.R.
Cash was one of seven children: Reba Hancock, Jack, Joanne (Cash-Yates),
Tommy, Roy, and Louise Cash Garrett. His younger brother,
Tommy Cash,
also became a successful country artist.
By age five, J.R. was working in the cotton fields, singing along with his
family as they worked. The family farm was flooded on at least one occasion,
which later inspired him to write the song Five Feet High And Rising.[4]
His family's economic and personal struggles during the
Depression inspired many of his songs, especially those about other people
facing similar difficulties.
Cash was very close to his brother Jack, who was two years older. In 1944,
Jack was pulled into a whirling
table saw
in the mill where he worked, and cut almost in two. He suffered for over a week
before he died.[4]
Cash often spoke of the horrible guilt he felt over this incident. According to
Cash: The Autobiography, his father was away that morning, but he and his
mother, and Jack himself, all had premonitions or a sense of foreboding about
that day, causing his mother to urge Jack to skip work and go fishing with his
brother. Jack insisted on working, as the family needed the money. On his
deathbed, Jack said he had visions of heaven and angels. Decades later, Cash
spoke of looking forward to meeting his brother in heaven. He wrote that he had
seen his brother many times in his dreams, and that Jack always looked two years
older than whatever age Cash himself was at that moment.
Cash's early memories were dominated by
gospel
music and radio. Taught by his mother and a childhood friend, Johnny began
playing guitar and writing songs as a young boy. In high school he sang on a
local radio station; decades later he released an album of traditional gospel
songs, called My Mother's Hymn Book. He was also significantly influenced
by traditional
Irish music that he heard performed weekly by
Dennis Day
on the Jack
Benny radio program.[5]
Cash enlisted in the United States Air Force. After basic training at
Lackland Air Force Base and technical training at
Brooks Air Force Base, both in
San Antonio,
Texas, Cash was assigned to a
U.S. Air Force Security Service unit, assigned as a
morse code
decoder on Russian Army transmissions, at
Landsberg,
Germany.
First marriage
While in Air Force training in 1950, Cash met
Vivian Liberto. A month after his discharge, on August 7, 1954, they were
married. They had four daughters:
Rosanne
(1955), Kathleen (1956), Cindy (1959), and Tara (1961). His constant touring and
drug use put intense strain on his marriage, and they divorced in 1966.
Career
Early career
In 1954, the couple moved to
Memphis,
Tennessee, where he sold appliances while studying to be a radio announcer.
At night he played with guitarist
Luther Perkins and bassist
Marshall Grant. Perkins and Grant were known as the
Tennessee Two. Cash worked up the courage to visit the
Sun
Records studio, hoping to get a recording contract. After auditioning for
Sam
Phillips, singing mostly gospel songs, Phillips told him to "go home and
sin, then come back with a song I can sell." Cash eventually won over Phillips
with new songs delivered in his early frenetic style. His first recordings at
Sun, "Hey
Porter" and "Cry
Cry Cry," were released in 1955 and met with reasonable success on the
country hit
parade.
Cash's next record, Folsom Prison Blues, made the country Top 5, and "I
Walk the Line" became No. 1 on the country charts and entered the pop charts
Top 20. Following "I Walk the Line" was "Home
of the Blues," recorded in July 1957. That same year Cash became the first
Sun artist to release a
long-playing album. Although he was Sun's most consistently best-selling and
prolific artist at that time, Cash felt constrained by his contract with the
small label.
Elvis
Presley had already left Sun, and Phillips was focusing most of his
attention and promotion on
Jerry Lee Lewis. The following year Cash left the label to sign a lucrative
offer with
Columbia Records, where his single "Don't Take Your Guns to Town" became one
of his biggest hits.
In the early 60s, Cash toured with the
Carter Family, which by this time regularly included
Mother Maybelle's daughters,
Anita,
June and
Helen.
June later recalled admiring Johnny from afar during these tours.
Outlaw Image
As his career was taking off in the early 1960s, Cash started drinking
heavily and became addicted to
amphetamines and
barbiturates. For a brief time, he shared an apartment in Nashville with
Waylon Jennings, who was heavily addicted to amphetamines. Cash used the
uppers to stay awake during tours. Friends joked about his "nervousness" and
erratic behavior, many ignoring the warning signs of his worsening
drug addiction.
Although in many ways spiraling out of control, Cash's frenetic creativity
was still delivering hits. His rendition of "Ring
of Fire" was a
crossover hit, reaching No. 1 on the country charts and entering the Top 20
on the pop
charts. The song was written by June Carter and
Merle
Kilgore. The song was originally performed by Carter's sister, but the
signature
mariachi-style horn arrangement was provided by Cash, who said that it had
come to him in a dream. The song describes the personal hell Carter went through
as she wrestled with her forbidden love for Cash (they were both married to
other people at the time) and as she dealt with Cash's personal "ring of fire"
(drug dependency and
alcoholism)[citation
needed].
Cash sometimes spoke of his erratic, drug-induced behavior with some degree
of bemused detachment.[citation
needed] In June 1965, his truck caught fire due to an
overheated wheel bearing, triggering a forest fire that burnt several hundred
acres in
Los Padres National Forest in California. When the judge asked Cash why he
did it, Cash said, "I didn't do it, my truck did, and it's dead, so you can't
question it."[4]
The fire destroyed 508 acres (2.06 km²), burning the foliage off three mountains
and killing 49 of the refuge's 53 endangered condors. Cash was unrepentant: "I
don't care about your damn yellow buzzards." The federal government sued him and
was awarded $125,127. Johnny eventually
settled the case and paid $82,001. Cash said he was the only person ever
sued by the government for starting a forest fire.[4]
Although Cash carefully cultivated a romantic
outlaw image,
he never served a
prison sentence. Despite landing in jail seven times for
misdemeanors, each stay lasted only a single night. His most infamous run-in
with the law occurred while on tour in 1965, when he was arrested by a
narcotics
squad in
El
Paso, Texas. The officers suspected that he was
smuggling
heroin from
Mexico, but it
was prescription narcotics and amphetamines that the singer had hidden inside
his guitar case. Because they were prescription drugs rather than illegal
narcotics, he received a
suspended sentence.
Cash was also arrested on May 11, 1965, in
Starkville, Mississippi, for
trespassing late at night onto private property to pick flowers. (This
incident gave the spark for the song "Starkville City Jail", which he spoke
about on his live At San Quentin prison album.)
In the mid 1960s, Cash released a number of
concept albums, including Ballads Of The True West (1965), an
experimental double record mixing authentic frontier songs with Cash's spoken
narration, and Bitter Tears (1964), with songs highlighting the plight of
the
Native Americans. His drug addiction was at its worst at this point, and his
destructive behavior led to a
divorce from
his first wife and cancelled performances.
In 1967, Cash's duet with Carter, "Jackson",
won a
Grammy Award.
Cash quit using drugs in 1968, after a spiritual epiphany in the
Nickajack Cave. June,
Maybelle, and Ezra Carter moved into Cash's mansion for a month to help him
defeat his addiction. Cash proposed onstage to Carter at a concert at the
London Gardens in
London, Ontario on
February
22, 1968; the
couple married a week later in
Franklin, Kentucky. June had agreed to marry Cash after he had 'cleaned up'.
[6]
Rediscovering his Christian faith, taking an "altar
call" in Evangel Temple, a small church in the Nashville area, Cash chose
this church over many larger celebrity churches in the Nashville area because he
said that there he was treated like just another parishioner and not a celebrity.
Folsom Prison Blues
Cash felt great compassion for prisoners. He began performing concerts at
various prisons starting in the late 1950s.[4]
These performances led to a pair of highly successful live albums,
Johnny Cash at Folsom Prison (1968) and
Johnny Cash at San Quentin (1969).
The Folsom Prison record was introduced by a rendition of his classic "Folsom
Prison Blues," while the
San Quentin record included the crossover hit single "A
Boy Named Sue," a
Shel Silverstein-penned novelty song that reached No. 1 on the country
charts and No. 2 on the U.S. Top Ten pop charts. The AM versions of the latter
contained a couple of profanities which were edited out. The modern CD versions
are unedited and uncensored and thus also longer than the original vinyl albums,
though they still retain the audience reaction overdubs of the originals.
In addition to his performances at U.S. prisons, Cash also performed at the
Österåker Prison in Sweden in 1972. The live album
På
Österåker ("At Österåker") was released in 1973. Between the songs, Cash
can be heard speaking Swedish, which was greatly appreciated by the inmates.
"The Man in Black"
From 1969 to 1971, Cash starred in his own television show,
The Johnny Cash Show, on the
ABC network.
The Statler Brothers opened up for him in every episode; the Carter Family
and rockabilly legend
Carl
Perkins were also part of the regular show entourage. However, Cash also
enjoyed booking more contemporary performers as guests; such notables included
Neil Young,
Louis Armstrong,
James
Taylor,
Ray
Charles,
Eric
Clapton (then leading
Derek and the Dominos), and
Bob Dylan.
Cash had met with Dylan in the mid 1960s and became closer friends when they
were neighbors in the late 1960s in
Woodstock, New York. Cash was enthusiastic about reintroducing the reclusive
Dylan to his audience. Cash sang a duet with Dylan on Dylan's country album
Nashville Skyline and also wrote the album's
Grammy-winning
liner
notes.
Another artist who received a major career boost from The Johnny Cash Show
was songwriter
Kris Kristofferson. Kristofferson was beginning to make a name for himself
as a singer/songwriter, partly because he was working hard to write and provide
lyrics for
Janis
Joplin up until her death. During a live performance of Kristofferson's "Sunday
Mornin' Comin' Down," Cash refused to change the lyrics to suit network
executives, singing the song with its references to
marijuana intact: "On a Sunday morning sidewalk / I'm wishin', Lord, that I
was stoned."[citation
needed]
By the early 1970s, he had crystallized his public image as "The Man in Black."
He regularly performed dressed all in black, wearing a long black knee-length
coat. This outfit stood in contrast to the costumes worn by most of the major
country acts in his day:
rhinestone
suit and
cowboy boots. In 1971, Cash wrote the song "Man in Black" to help explain
his dress code: "We're doing mighty fine I do suppose/In our streak of lightning
cars and fancy clothes/But just so we're reminded of the ones who are held
back/Up front there ought to be a man in black."
He and his band had initially worn black shirts because that was the only
matching color they had among their various outfits.[4]
He wore other colors on stage early in his career, but he claimed to like
wearing black both on and off stage. He stated that, political reasons aside, he
simply liked black as his on-stage color.[4]
To this day, the
United States Navy's
winter blue service uniform is referred to by sailors as "Johnny Cashes," as
the uniform's shirt, tie, and trousers are solid black.[7]
In the mid 1970s, Cash's popularity and number of hit songs began to decline,
but his autobiography (the first of two), titled Man in Black, was
published in 1975 and sold 1.3 million copies. A second, Cash: The
Autobiography, appeared in 1997. His friendship with
Billy
Graham led to the production of a movie about the life of
Jesus, The
Gospel Road, which Cash co-wrote and narrated. The decade saw his religious
conviction deepening, and he made many
evangelical appearances.
He also continued to appear on television, hosting an annual
Christmas
special on CBS
throughout the 1970s. Later television appearances included a role in an episode
of Columbo.
He also appeared with his wife on an episode of
Little House on the Prairie entitled "The Collection" and gave a
performance as
John Brown in the 1985
Civil War television mini-series
North and South.
He was friendly with every
United States President starting with
Richard Nixon. He was closest with
Jimmy
Carter, who became a very close friend.[4]
He stated that he found all of them personally charming, noting that this was
probably essential to getting oneself elected.[4]
When invited to perform at the White House for the first time in 1972,
President
Richard Nixon's office requested that he play "Okie
from Muskogee" (a satirical
Merle
Haggard song about people who disrespected the youthful drug users and war
protesters) and "Welfare Cadillac" (a Guy Drake song that derides the integrity
of welfare recipients). Cash declined to play either song and instead played a
series of more left-leaning, politically-charged songs, including "The Ballad of
Ira Hayes"
(about a brave Native-American World War II veteran who was mistreated upon his
return to Arizona), and his own compositions, "What is Truth?" and "Man in Black."
Cash claimed that the reasons for denying Nixon's song choices were not knowing
them and having fairly short notice to rehearse them, rather than any political
reason.[4]
Highwaymen
In 1980, Cash became the
Country Music Hall of Fame's youngest living inductee at age forty-eight,
but during the 1980s his records failed to make a major impact on the country
charts, although he continued to tour successfully. In the mid 1980s, he
recorded and toured with
Waylon Jennings,
Willie Nelson, and Kris Kristofferson as
The Highwaymen, making two hit albums.
During this period, Cash appeared as an actor in a number of television films.
In 1981, he starred in The Pride of Jesse Hallam. Cash won fine reviews
for his work in this film that called attention to adult
illiteracy. In 1983, Cash also appeared as a heroic sheriff in Murder In
Coweta County, which co-starred
Andy
Griffith as his nemesis. This film was based on a real-life
Georgia murder case. Cash had tried for years to make the film, for which he
won acclaim.
Cash relapsed into addiction after being administered painkillers for a
serious abdominal injury in 1983 caused by an unusual incident in which he was
kicked and critically wounded by an ostrich he kept on his farm.[8]
At a hospital visit in 1988, this time to watch over Waylon Jennings (who was
recovering from a
heart attack), Jennings suggested that Cash have himself checked into the
hospital for his own heart condition. Doctors recommended preventive heart
surgery, and Cash underwent
double bypass surgery in the same hospital. Both recovered, although Cash
refused to use any prescription painkillers, fearing a relapse into dependency.
Cash later claimed that during his operation, he had what is called a "near
death experience". He said he had visions of
Heaven that
were so beautiful that he was angry when he woke up alive.
Cash's recording career and his general relationship with the Nashville
establishment were at an all-time low in the 1980s. He realized that his record
label of nearly 30 years, Columbia, was growing indifferent to him and wasn't
properly marketing him (he was "invisible" during that time, as he said in his
autobiography). Cash recorded an intentionally awful song to protest, a self-parody.
"Chicken in Black" was about Johnny's brain being transplanted into a chicken.
Ironically, the song turned out to be a larger commercial success than any of
his other recent material. Nevertheless, he was hoping to kill the relationship
with the label before they did, and it was not long after "Chicken in Black"
that Columbia and Cash parted ways.
In 1986, Cash returned to Sun Studios in Memphis to team up with
Roy
Orbison,
Jerry Lee Lewis, and
Carl
Perkins to create the album
Class
of '55. This was not the first time he had teamed up with Lewis and
Perkins at Sun Studios. On
December 4,
1956,
Elvis
Presley dropped in on Phillips to pay a social visit while Perkins was in
the studio cutting new tracks, with Lewis backing him on piano. Cash was also in
the studio and the four started an
impromptu
jam
session. Phillips left the tapes running and the recordings, almost half of
which were gospel songs, survived and have been released on
CD
under the title
Million Dollar Quartet. Tracks also include
Chuck
Berry's "Brown Eyed Handsome Man",
Pat Boone's
"Don't Forbid Me", and Elvis doing an impersonation of
Jackie Wilson (who was then with Billy Ward and the Dominoes) singing "Don't
Be Cruel".
In 1986, Cash published his only novel, Man in White, a book about
Saul and his conversion to become the Apostle Paul. He also recorded
Johnny Cash Reads The Complete
New
Testament in 1990.
American Recordings
After
Columbia Records dropped Cash from his recording contract, he had a short
and unsuccessful stint with
Mercury Records from 1987 to 1991 (see
Johnny Cash discography).
In 1991, Cash sang lead vocals on a cover version of "Man in Black" for the
Christian punk band
One Bad
Pig's album I Scream Sunday.
His career was rejuvenated in the 1990s, leading to popularity among a
younger audience not traditionally interested in country music. In 1993, he sang
the vocal on U2's "The
Wanderer" for their album
Zooropa.
Although he was no longer sought after by major labels, Cash was approached by
producer
Rick Rubin and offered a contract with Rubin's
American Recordings label, better known for
rap and
hard rock.
Under Rubin's supervision, he recorded the album
American Recordings (1994) in his living room, accompanied only by his
guitar. The album featured several covers of contemporary artists selected by
Rubin and had much critical and commercial success, winning a Grammy for
Best Contemporary Folk Album. Cash wrote that his reception at the 1994
Glastonbury Festival was one of the highlights of his career. This was the
beginning of a decade of music industry accolades and surprising commercial
success.
Cash and his wife appeared on a number of episodes of the popular television
series
Dr. Quinn, Medicine Woman starring
Jane Seymour. The actress thought so highly of Cash that she later named one
of her twin sons after him. He lent his voice for a cartoon
cameo in
an episode of
The
Simpsons, with his voice as that of a
coyote that
guides
Homer
on a spiritual quest. In 1996, Cash released a sequel to American Recordings,
Unchained, and enlisted the accompaniment of
Tom Petty and the Heartbreakers, which won a Grammy for
Best Country Album. Cash, believing he did not explain enough of himself in
his 1975 autobiography Man in Black, wrote another autobiography in 1997
entitled Cash: The Autobiography.
Last years and death
In 1997, Cash was diagnosed with the
neurodegenerative disease
Shy-Drager syndrome. The diagnosis was later altered to
autonomic neuropathy associated with
diabetes. This illness forced Cash to curtail his touring. He was
hospitalized in 1998 with severe
pneumonia,
which damaged his lungs.
The albums
American III: Solitary Man (2000)
and
American IV: The Man Comes Around (2002)
contained Cash's response to his illness in the form of songs of a slightly more
somber tone than the first two American albums. The
video that was
released for "Hurt",
a song by
Trent
Reznor of
Nine Inch Nails, fit Cash's view of his past and feelings of regret. The
video for the song is now generally recognized as "his epitaph,"[9]
from American IV; and received particular critical and popular acclaim.
June Carter Cash died on
15 May
2003, at the age of
seventy-three. June had told Cash to keep working, so he continued to record and
even performed a couple of surprise shows at the
Carter Family Fold outside
Bristol, Virginia. (The
5 July
2003, concert was
his final public appearance.) At the
21 June
2003, concert,
before singing "Ring
of Fire", Cash read a statement about his late wife that he had written
shortly before taking the stage. He spoke of how June's spirit was watching over
him and how she had come to visit him before going on stage. He barely made it
through the song. Despite his poor health, he spoke of looking forward to the
day when he could walk again and toss his wheelchair into the river near his
home.
Johnny Cash died less than four months after his wife's, on
12
September 2003,
while hospitalized at Baptist Hospital in
Nashville, Tennessee. He was 71. He was interred next to his wife in
Hendersonville Memory Gardens near his home in
Hendersonville, Tennessee. Cash is survived by his children, step-children
and 16 grandchildren.
On 24 May
2005,
Vivian Liberto, Cash's first wife and the mother of
Rosanne
Cash, died from surgery to remove lung cancer. It was Rosanne Cash's
fiftieth birthday.
His step-daughter, Rosie "Nix" Adams was found dead on a bus in Montgomery
County, Tennessee, on October 24, 2003. It was speculated that the deaths may
have been caused by carbon monoxide from the lanterns in the bus. Adams was 45
when she died. She was buried in the Hendersonville Memorial Gardens,
Hendersonville, Tennessee, near her mother and stepfather.
In June 2005, his lakeside home on Caudill Drive in
Hendersonville, Tennessee, went up for sale by the Cash estate. In January
2006, the house was sold to
Bee Gees
vocalist
Barry Gibb and wife Linda Gibb and titled in their Florida limited liability
company for $2.3 million. The listing agent was Cash's younger brother,
Tommy Cash.
The home was destroyed by fire on
10 April
2007.[10]
One of Johnny Cash's final collaborations with producer
Rick Rubin,
entitled
American V: A Hundred Highways, was released posthumously on
4 July
2006. The album
debuted in the #1 position on
Billboard Magazines Top 200 album chart for the week ending
22 July
2006. Enough of
Cash's music was left to put together a posthumous album which he had helped
plan. The album, American VI, is planned for release in 2008.
Legacy
From his early days as a pioneer of
rockabilly
and
rock and roll in the 1950s, to his decades as an international
representative of country music, to his resurgence to fame in the 1990s as a
living legend and an
alternative country icon, Cash influenced countless artists and left a large
body of work. Upon his death, Cash was revered by the greatest popular musicians
of his time.
Among Johnny Cash's children, his daughter
Rosanne
Cash (by first wife Vivian Liberto) and his son
John Carter Cash (by June Carter Cash) are notable country-music musicians
in their own right.
Cash nurtured and defended artists on the fringes of what was acceptable in
country music even while serving as the country music establishment's most
visible symbol. At an all-star TNT concert in 1999, a diverse group of artists
paid him tribute, including
Bob Dylan,
Chris
Isaak,
Wyclef
Jean,
Norah Jones,
Kris Kristofferson,
Willie Nelson, and U2.
Cash himself appeared at the end and performed for the first time in more than a
year. Two tribute albums were released shortly before his death;
Kindred Spirits contains works from established artists, while
Dressed in Black contains works from many lesser-known artists.
In total, he wrote over a thousand songs and released dozens of albums. A
box set
titled Unearthed was issued posthumously. It included four CDs of
unreleased material recorded with Rubin as well as a Best of Cash on American
retrospective CD.
In recognition of his lifelong support of
SOS Children's Villages, his family invited friends and fans to donate to
that charity in his memory. He had a personal link with the SOS village in
Diessen, at
the Ammersee-Lake
in
Southern Germany, near where he was stationed as a GI, and also with the SOS
village in Barrett Town, by
Montego
Bay, near his holiday home in
Jamaica. The
Johnny Cash Memorial Fund was founded[11]
In 1999, Cash received the
Grammy Lifetime Achievement Award. In 2004,
Rolling Stone Magazine ranked Johnny Cash[12]
#31 on their list of the 100 Greatest Artists of All Time.[13]
In a tribute to Cash after his death, country music singer
Gary Allan
included the song "Nickajack Cave (Johnny Cash's Redemption)" on his 2005 album
entitled
Tough All Over. The song chronicles Cash hitting rock bottom and
subsequently resurrecting his life and career.
The main street in
Hendersonville, Tennessee, Highway 31E, is known as "Johnny Cash Parkway".
On
November 2 –
November 4,
2007 the Johnny
Cash Flower Pickin' Festival was held in
Starkville, Mississippi. Starkville, where Cash was arrested over 40 years
earlier and held overnight at the city jail on
May 11,
1965, inspired Cash
to write the song "Starkville City Jail". The festival, where he was offered a
symbolic
posthumous pardon, honored Cash's life and music, and was expected to become
an annual event.[14]
Portrayals
In 1998, country singer
Mark
Collie portrayed Cash for the first time in a short film, "I Still Miss
Someone". Shot mostly in black and white, it attempts to capture a moment in
time for Cash during his darkest years, the mid 1960s.
Walk
the Line, an
Academy Award-winning
biopic about Johnny Cash's lifetime starring
Joaquin Phoenix as Johnny Cash and
Reese Witherspoon as
June Carter Cash (for which she won the
2005 Best Actress Oscar), was released in the U.S. on
November
18, 2005 to
considerable commercial success and great critical acclaim. Both Phoenix and
Witherspoon have won various other awards for their roles, including the
Golden Globe for Best Actor in a Musical or Comedy and Best Actress in a
Musical or Comedy, respectively. They both performed their own vocals in the
film, and Phoenix learned to play guitar for his role as Johnny Cash. Phoenix
received the Grammy Award for his contributions to the
Walk
the Line soundtrack.
Ring of Fire, a
jukebox musical of the Cash oeuvre, debuted on
Broadway on
March 12, 2006
at the
Ethel Barrymore Theatre, but closed due to harsh reviews and disappointing
sales on April 30, 2006.
Walk Hard: The Dewey Cox Story, a comedy film parodying biopic films
such as Walk the Line and
Ray (film),
is a close parody of Cash's life and the way he was portrayed in Walk the
Line.
Discography
- See
Johnny Cash discography, and
Johnny Cash Sun discography.
Awards and honors
- For detailed lists of music awards, see
Johnny Cash discography.
Cash received multiple
Country Music Awards,
Grammys, and other awards, in categories ranging from vocal and spoken
performances to album notes and videos.
In a career that spanned almost five decades, Cash was the personification of
country music to many people around the world. Cash was a musician who was not
tied to a single genre. He recorded songs that could be considered
rock
and roll, blues,
rockabilly,
folk,
and
gospel, and exerted an influence on each of those genres. Moreover, he had
the unique distinction among country artists of having "crossed over" late in
his career to become popular with an unexpected demographic, young
indie
and
alternative rock fans. His diversity was evidenced by his presence in three
major music halls of fame: the
Nashville Songwriters Hall of Fame (1977), the
Country Music Hall of Fame (1980), and the
Rock and Roll Hall of Fame (1992). Only thirteen performers are in both of
the last two, and only
Hank Williams Sr.,
Jimmie Rodgers, and
Bill
Monroe share the honor with Cash of being in all three. However, only Cash
was inducted into the Rock and Roll Hall of Fame in the regular manner, unlike
the other country members, who were inducted as "early influences." His
pioneering contribution to the genre has also been recognized by the
Rockabilly Hall of Fame.[15]
He received the
Kennedy Center Honors in 1996. Cash stated that his induction into the
Country Music Hall of Fame, in 1980, was his greatest professional
achievement.
In 2007, Johnny Cash was inducted into the Hit Parade Hall of Fame.[16]
References
Notes
-
^
"Johnny Cash's Story," Country Music Hall of Fame
-
^ Dalton,
Stephanie. 15 Jan 2006.
"Walking the line back in time." Scotsman.com. Retrieved 28 June
2007.
-
^ Cash, John R.
with Patrick Carr. (1997) Johnny Cash, the Autobiography. Harper Collins.
See p. 3.
- ^
a
b c
d
e
f
g
h
i
j Cash,
Johnny. Cash: The Autobiography
-
^
Gross, Terry. All I Did Was Ask: Conversations with Writers, Actors,
Musicians, and Artists
-
^
Zwonitzer, Mark (2002). Will You Miss Me When I'm Gone, The Carter Family
and Their Legacy in American Music. Simon & Schuster.
-
^
The good, bad and ugly of proposed uniforms. Navy Times. 4
October 2004.
-
^
Johnny Cash: The Rebel
-
^ Rolling Stone
Magazine, The Rolling Stone Encyclopedia of Rock & Roll, 2004 (bibliographic
information is needed for this reference)
-
^
Fire Reported at Johnny Cash Tenn. Home. San Francisco Chronicle.
Retrieved on 2007-12-31.
-
^
SOS-USA
-
^
Kristofferson, Kris.
31) Johnny Cash. Issue 946. Rolling Stone. Retrieved on
2007-12-31.
-
^
The Immortals: The First Fifty. Issue 946. Rolling Stone.
Retrieved on 2007-12-31.
-
^
Mississippi town to honor the ‘Man in Black’. MSNBC. Retrieved on
2007-12-31.
-
^
RHOF Inductees with Certificates. Rockabilly Hall of Fame. Retrieved on
2007-12-31.
-
^
Johnny Cash. Hit Parade Hall of Fame. Retrieved on
2007-12-31.
References
-
Gross, Terry (2006). All I Did Was Ask: Conversations with Writers,
Actors, Musicians, and Artists. Hyperion.
ISBN 1-4013-0010-3.
- Millier, Bill. (retrieved September 7, 2004).
Johnny Cash Awards.
JohnnyCash.com.
- Peneny, D.K. (retrieved September 7, 2004).
Johnny Cash. The History of Rock and Roll.
- Streissguth, Michael. Johnny Cash at Folsom Prison: The Making of a
Masterpiece, Da Capo Press (2004).
ISBN 0-306-81338-6.
- Urbanski, Dave. The Man Comes Around: The Spiritual Journey of Johnny
Cash. New York: Relevant Books.
ISBN 0-9729276-7-0.
-
Cash, Johnny; Patrick Carr (1997). Cash: The Autobiography. Harper
Collins.
ISBN 0-06-101357-9.
Works published
- Cash, Johnny.
Man
in Black: His Own Story in His Own Words. Grand Rapids: Zondervan,
1975.
ISBN 99924-31-58-X.
- Cash, Johnny, with Patrick Carr.
Cash: The Autobiography. New York: Harper Collins, 1997.
ISBN 0-06-101357-9.
- Cash, Johnny, with June Carter Cash. Love liner notes. New York:
Sony, 2000. ASIN
B00004TB8A.
- Turner, Steve. The Man Called Cash: The Life, Love, and Faith of an
American Legend. Nashville, Thomas Nelson, 2004. (The Authorized Biography).
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